Sustainable Practices and Ecological Wisdom in Naga Motif Weaving of Phu Thai Communities: Implications for Environmental Heritage and Community Resilience

Abstract

This qualitative research aims to explore the indigenous knowledge embedded in Naga-patterned textiles and apply this knowledge for creative performance development, with a focus on its environmental dimensions. This qualitative research focused on two Phuthai communities: Ban Phon, Phon Subdistrict, Kham Muang District, Kalasin Province, Thailand, and Rahannam Village, Sepon, Savannakhet Province, Lao People’s Democratic Republic.

The findings reveal indicate that the development of Naga motifs in Phuthai textiles is intricately linked to their clothing traditions and language, forming a key aspect of their cultural identity. These weaving techniques and craftsmanship, passed down through generations, contribute significantly to both cultural preservation and economic value, especially through the use of indigo-dyed cotton and Pha Phrae Wa silk. This traditional use of natural materials offers insights into sustainable resource management and minimized ecological footprints compared to modern synthetic alternatives.

The development of Naga-patterned textiles reflects a continuum of cultural wisdom from the pre-migration period through settlement and into the present day. These textiles are not only admired for their aesthetic value but also for their embodiment of local beliefs, spiritual reverence, and cultural identity. The transition in weaving materials and dyes from natural to synthetic presents an opportunity to discuss the environmental implications of these changes, highlighting the ecological wisdom inherent in traditional practices such as matmi (ikat), khit (supplementary weft), and chok (brocade). This research underscores the importance of indigenous environmental knowledge in textile production for fostering sustainable development and preserving ecological heritage within these communities..

The study also highlights the vital role of women in preserving and transmitting traditional knowledge, adapting to changing socio-economic and cultural contexts. As a result, the Naga-patterned textiles have become diverse in form and elevated as both cultural products and high-value local commodities.

The knowledge derived from this study served as the conceptual foundation and inspiration for creating a performance entitled Phraewaphatthanaka Song Fai Fa, which expresses Phuthai identity through advanced choreographic processes. This performance integrates local wisdom with contemporary performing arts, reflecting a meaningful cultural narrative.