Art Forms And Criticism: An Explanatory Perspective On Some Of The Nigeria Art Forms
DOI:
https://doi.org/10.64252/qnw47826Keywords:
Art, Art Form, Criticism, Critical Studies.Abstract
In any level of critical studies, the languages are always think, talk and look at the work of Art Form, that means critical studies and the writing on Art Form involve the capability of conceptualization (thinking) talking (verbal assessment) and keen absorption of the works of art forms. However, History of Art is within and contains critical writing about art ideas, critical studies or analysis about Art Form. This also covers productive analysis and the techniques involved in the making of the art form, this inspect how colours impresses artists, which gives the need for the idea to be expressed. Nigeria Art Form are those Art Form produced within the specific anti fact known for Nigeria, and this carries the characteristic of Nigeria both in texture, materials, context, meaning, symbolism and others. This study therefore aims to analyse the critical study of Art Form with emphasis on explanatory perspective on some of the Nigerian Art Form. The awareness of Art is also seen as a symbolization of a representation and is made up of component in cognitive affective and psychomotor domain, and it is also subject to interpretation. The information is therefore an empowerment of relating what each art form is made of, with reference to its value and effect in Nigeria. Art history deals with terms and images. The search for Art is information for Art, which is related to time, space movement and idea etc of the duration of the art form, to obtain understanding of the situation of the knowledge of art ad criticism.




