He Spatial Effect Of Painting The Nature In Modern European Art

Abstract

The current research aims to study landscape drawing in modern art and the ongoing transformations in documenting or expressing the scene and presenting diverse objects, subjects, and environments through formal representation and visual presentation. Therefore, in the first chapter, the researcher presented the research problem and achieved his goal of revealing the diversity and difference in landscape drawing within the styles and trends of modern art. As for the second chapter, the researcher divided the chapter into two sections: the first section: the aesthetics of nature drawings and their techniques, while the second section: nature between the visual image and the reality of experimentation. The research was presented in the third chapter entitled nature drawings between color and the energy of form, in which the research community was analyzed and the transformations and variables in technique, color and composition were revealed. As for the fourth chapter, the researcher presented the results and conclusions, including: Modern and contemporary arts, as they move towards nature, are building their visual system with the influence of transformations in the vision of things and images that discover variables in form, line, texture, construction and light. The transformations of nature drawing in modern art have moved towards continuous experimentation, whether in form, color, the element of line, composition and subjects, the composition of the image in expressionism through testing the form and the visual image, while Cubism relied on the destruction of forms and bodies and the depiction of nature through a geometric system. Then the researcher presented recommendations and proposals.