Peking Opera Cinema: Storytelling And Audiovisual Interpreting From 2014 To 2023

Abstract

This study examines the audiovisual language and narrative structure of Peking Opera films from 2014 to 2023, contextualized within the broader historical evolution of the genre from 1905 to 2023. Three primary groups of informants underpin this research: key informants (established directors, playwrights, and academics), casual informants (industry practitioners), and general informants (mainly film students representing new audience perspectives). Insights from these groups illuminate both the theoretical and practical dimensions of Peking Opera cinema. The study reveals how Peking Opera films have successfully adapted to contemporary audiences while retaining their cultural essence and emphasizes the dynamic interplay between traditional stage techniques and modern cinematic storytelling. This research thus contributes substantial evidence to academic discourse and industry development regarding the creative and technical advancement of Peking Opera films.